Philosophy International Journal
Research Article
1 min read
Fiction, Recognition and Resonance
* Corresponding author
Keywords
Mimesis
Transport
Empathy
Familiarity
Abstract
Using Shakespeare’s Hamlet as the main example, the article argues that the public of literary plays and narratives vicariously participate in their fictional worlds, recognize the actions and passions they present and resonate to their ethical echoes. Therefore, literary works do not convey knowledge in the strict sense but rather offer an empathic, unreliable familiarity with the human world, its customs and its ideals.
References
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Herman D (2002) Story Logic: Problems and Possibilities of Narrative. Lincoln: University of Nebraska Press.
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Shakespeare W The Tragedy of Hamlet, Prince of Danemark. In: Barbara AM, Paul W (Eds.), Folger Shakespeare Library.
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Walton K (1990) Mimesis as Make-Believe: On the Foundations of the Representational Arts. Cambridge, MA. Harvard University Press.
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Lavocat F (2016) Fait et Fiction. Paris: Seuil.
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Fort B (2017) An Introduction to Fictional Worlds Theory Frankfurt/New York: Peter Lang.
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Propp V [1928] Morphology of the Folktale. Austin: University of Texas Press.
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Dundes A (1964) The Morphology of North-American Indian Folktales. Helsinki: Suomalainen Tiedeakatemia.
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Phelan J (2005) Living to Tell about It: A Rhetoric and Ethics of Character Narration. Ithaca, NY: Cornell University Press.
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Hagberg GL (2008) Describing Ourselves. Wittgenstein and Autobiographical Consciousness. New York: Oxford University Press.
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Pavel T (2016) “Truth and Resonance”. Strumenti Critici 31(2): 171-186.
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Schier F (1986) Deeper into Pictures. An Essay on Pictorial Representation. New York. Cambridge University Press.
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