Beta Fulltext view is in preview — article structure may vary. Browse all articles
Contents
Philosophy International Journal Research Article 28 min read

Artificial Intelligence in Art: An Amoral Subject of Law

Villalobos Portales J*
* Corresponding author
ISSN: 2641-9130  10.23880/phij-16000275  Received: October 27, 2022  Published: November 10, 2022
  views
 24 references
PDF
Keywords
Artificial Intelligence Subject of law Oiginality Quasi – author Cyberhumanoid personality
Abstract

This article analyzes the legal-philosophical situation of Artificial Intelligence and the intelligent robot on being a subject of Law to be considered a creative person or author. The contradiction involved in allowing an object to present the legal duality of being protected as an object that it is and at the same time being considered a subject by the resulting work is analyzed, an impairment or vulgarization for the subject of Law as a moral subject when proposing the fictio legis de a moral object, which is not conceivable. Instead, an alternative to such an aporia is proposed, more fictitious than real.

What Artificial Intelligence Can Pose this Type of Problem

In the first place, it is necessary to differentiate that, within the vast world of AI, only a certain specific type is the one that can give rise to these problems, since the rest do not even enter into such a question nor do they escape from being another mere object of Law and of social reality. It is necessary to differentiate that there are, broadly speaking, types of weak AI and strong types. Regarding these qualities, Grandhi collects them in a differentiation of different levels in two blocks. First, understand that there are the weak-type and strong-type AIs on the one hand, and then the symbolic and non-symbolic learning ones [8].

Within the first block, in the case of weak-type AIs, their main characteristic is to perform specific tasks, not to be reactive, which means that it does not act autonomously, it is not flexible, and therefore it depends on the human programming through imitation, since it does not have any capacity for reasoning or learning. In the second case, the strong type, it does have the ability to carry out tasks that are usually covered by the human intellect. This allows flexibility of action for problem solving, where here it does participate proactively, with qualities of self-programming through techniques such as feedback through complex neural networks.

Then, that at that programming level there are supervised and unsupervised algorithms; In addition, the processes can be of a symbolic nature, where there are disciplines from machine learning, deep learning, neural networks, self-learning. Within those of a symbolic and non-symbolic type, those of the first group focus above all on the fields of mathematical logic, which in turn is inspired by systems of rules, as well as representations of knowledge. On the other hand, unlike this type, non-symbolic ones focus on systems more similar to simulations or emulations of human behavior, such as the process in which the nervous system works, such as the neural network system, or self- learning. that occurs in living organisms. Between these two groups, it is the second that embodies the most “ambitious” branch in that it seeks to simulate or resemble, at least, the different systems and processes that operate in the brain. In a few words, the AI that can provoke these dilemmas is only the strong type, unsupervised [9], of a non-symbolic nature and, furthermore, with a greater peculiarity, the resolution process between the input and the output of information where the evolution of the IA escapes the control and supervision of any third party [6], such as the programmer, that is, the concept of “black box”: In essence, this means that algorithms cannot provide a detailed explanation of how they arrive at a given result. That is, it cannot be established how the AI system evaluates and weighs the data and information it processes. That is why we speak of “black boxes”. A computational tool in which one understands the input data and the results, but does not understand the underlying procedure, is called a black box system. Here the code is inscrutable, because the program “evolves” and human beings cannot understand the process that the programming followed to achieve a given solution.3 The main characteristic lies in the absence of the human factor in the processes carried out by the AI, which implies that the possible definition of “autonomy” that arises is in a negative conception of the term: we understand that an AI can be autonomous or independent as long as no human can intervene or supervise the process developed by the AI, unlike the autonomy of the individual, which is from a positive conception, where its autonomy emanates from itself. Another characteristic is that all the processes described consist of the emulation and simulation of the human process, that is, AI can only cover the technical field even in the volitional factor of the human being, it can only copy, simulate, emulate the decision-making capacity, the corpus mechanicum of the human being, however, the animus vivendi behind the technical factor and which supposes the origin of the indissoluble incentive of the person escapes AI since the intellectual translation of the supra -technical qualities of making a decision or not , to create or not a work are beyond the scope of all programming. That it can emulate the human being does not mean that it is human.

An Author Object?: Is an AI the Author of a Work by the Fact of Being Able to Originate It?

The proposal to consider an AI as an author implies accepting a type of process where an object can “evolve” into a subject, since the fact that no matter how advanced the AI is or becomes, its source code, should not be neglected. the algorithms that integrate it, are protected as an object through Intellectual Property as a work, since its nature is analogous to that of any other variety of protectable creation. It is, in essence, an object, because that is how it is created, unlike a natural person, who is born as a subject and his personality is recognized from birth (including the protection of his rights and interests before in the figure of the unborn child ) and to the legal person that is born at the moment in which it is formalized in accordance with the Law and its requirements: both cases, from their first moment, are born as subjects of Law and there is no way to ensure or violate such condition, instead , the AI is born and is conferred from its origin as an object and, even when it “creates” a work, no matter how independent and particular that fact may be, it does so from its legal status as an object, a work, a movable asset.

Then, through an inductive reading, considering that an AI from meritorious criteria for the result, as a kind of iuris tantum, author or with copyright, supposes a normative ubiquity of the same legal right. The AI is registered and protected as an object, but its results or works are protected with the AI as the subject. How would Law and Philosophy deal with an entity affected by this duplicity? Like Shrödinger’s cat, the AI would thus be being an object and a subject at the same time on two different legal levels.

This means stating that an AI can hold rights that are not only subjective but fundamental, since in truth the freedom of creation is a subgenre of freedom of expression. Among the most essential requirements to be an author or inventor (depending on whether, in the first case, we are in Intellectual Property or, in the second, in Industrial Property, although since the WIPO and most Anglo-Saxon regulations, Property law combines the two disciplines), highlights from a subjective point of view the factor of human ingenuity, human inventiveness and human personality that is reflected on the work or creation and, from an objective scope, the need to enjoy legal personality in order to hold or direct ownership of the rights, that is, the legal author or, in any case, being the material author.

Moreover, from this objective distinction inspired by Locke on his conception of property and the theory of fruits, the legal artifice of being a legal person is the owner of rights as employer and the material author is the employee who creates the property. work (it is the figure of Work Made For Hire). Or, from the second utilitarian view of Locke’s approaches in this field on the principle of efficiency and “best use”, on which it is argued that recognizing an AI or an intelligent robot of subjective and moral rights such as those of authorship is efficient and practical, not only for Law, but for social reality, it implies deconceptualizing or “vulgarizing” the qualities of the concepts of originality, creativity and authorship of its most vital elements, since they are intrinsic characteristics of the corpus mysticum of what is protected and what the work represents, which is the personality of the author, the imprint, the human ingenuity that is a different element from the technical corpus mechanicum of the work. Previously, the example of abstract art was mentioned, which focuses on that subjective quality, personality, and if faced with an abstract painting that would be protectable and its protection would be understood, this would be unthinkable if that same painting were executed by an AI, because the reason for reflecting on the work done by AI is, in truth, due to the meritorious factor that the resulting work at a technical level is similar to the human one, that is, that it is considered that the result can be “original ” because it emulates at a technical and meritorious level a result that could have been generated by a person. For this reason, it is alarming when it is found that in the Chinese judgment of the Court of Shenzen, of the province of Guandong, a work produced by an AI is protected with the same copyright that a human author holds, by finding a logical, coherent structure and a some degree of originality [21].

What originality are you referring to? Well, it is not questioned that a work must be produced ex nihilo, nor is it alluded to that the creation must be ex novo, since any author or inventor is nourished by the entire cultural and intellectual heritage to form his own creative personality [22] and thus create with the unavoidable contribution of his personality and human ingenuity and through technique. However, of the two essential elements of the author, finding that a work produced by AI can meet one of them (which at a technical level is somewhat similar), one should not rush through a retrospective reading to conclude that it meets the sum of all the requirements, since the anymus, the creative incentive does not exist in AI, it is in any case the mere essay- probabilistic mirage of an algorithmic combat within its input and output process.

With this, it is possible in collation to the previous section, applying the instrumental creation of the intermediate personality, to understand that in the best of cases we are facing a quasi-authorship as limited or secondary authorship where it can be accepted that the corpus mechanicum as one of it fulfills the requirements for authorship, in the sense that the result, at a technical level, is protectable by the legal interest that concerns it, although it lacks any anymus since, being in the best and most fictitious of cases, an amoral subject, neither can nor does it have a corpus mysticum or a moral factor or a personality that permeates the work. Therefore, being at most in that quasi-authorship that the material and technical author of the work is proposed, he is not a moral author nor can he be of the result. Just as little spirit can be expected to be born from the four legs of a chair, so little creative spirit can be expected to be born from the frantic shuffling of algorithms and source codes, ones and zeros.

In addition, because among the plausible philosophical- legal approaches for the options of being an AI full subject, full author, it is based on a dehumanized utilitarianism since it is empowered in an efficiency that contradicts itself, because if the “individual ” to which you are recognizing some subjective rights is an entity incapable of claiming such rights or even assessing an interest and incentive in its claim since it is an amoral subject, it is, in truth, more inefficient to provide it with that capacity, where it should be well Bearing in mind that, by doing so, such right becomes a ius prohibendi against third parties, that entity that is an amoral subject holding moral rights, is in itself totally incapable of claiming them, therefore, if there is the possibility of separating and to break off that capacity so that either by legal representation, or by how the figure of the third party is adopted (although an “algorithmic” guardianship or conservatorship falls on the same matter, what is the m of an AI?), this possibility vanishes, distorted in a hypothetical subject that holds a right that in ius prohibendi is the only one qualified to exercise it, it turns out that he cannot, compared to a third party who could. In

summary, as Saiz García rightly says, no matter how much effort is made, “the machines do not have, unlike human beings (at least still and almost all), conscience or affection that could be influenced by the exclusive protection of your effort [23].” With which, the moral protections by which this type of rights emerge and that are sustained in that exclusive sense of the effort of our conscience and sensitivity would lack any axiological sense with the partura to entities that only comply, in the best of cases , the technical requirement, the corpus mechanicu , excluding not only an essential element, but perhaps the most fundamental of both, the anymus of the subject, the corpus mysticum of the work, one of the differentiating and indissoluble characteristics of the human being, of the full subject of Law.

Conclusions: Object and Subject? The Box Uncovered

In conclusion, according to everything exposed in this work, it can be concluded in the first place that no matter how extensive the rain of anecdotal and contradictory events that take place in reality, the Philosophy of Law should not be clouded by the fires of artifice and confuse them with the protean fire by which it emanates. From the nature of the very fact that an AI supposes, which is that of an object as the work of an individual, the programmer, who will protect such work in accordance, this yes, to his copyright, devirtualize by the meaning of the matter to “ promoting it” to the category of subject of Law at a level, moreover, that would be comparable to that of the human being, either as a natural person, or as a member of the legal entity, means confusing or reducing the complexity and terminological diversity of too many concepts , which are not simple in themselves. However, although it is true that the AI has the ability to take part in deliberative processes that normally depended on the human factor, this does not mean that they turn it into a human, but rather that one of the properties elaborated in that object is that of being able to carry perform such functions.

Otherwise, to confuse the telos of an object in this way is to conceive that a machine capable of performing surgical operations must therefore be considered a surgeon; that an AI system for predictive data within the public administration must be understood as a public official; that, in our case, an algorithm, AI or intelligent robot, due to its ability to produce a work, must hold a copyright, therefore, when it is also already protected as the work of the programmer who created it. In this line, without the least cases and very restricted to a specific type of AI that may be capable of developing such types of faculties, however, even in the best of cases, it has been possible to clarify that not in the most advanced and hypothetical does not transcend beyond an amoral subject in the best of results, since assigning him an ethical or moral aptitude is accepting that it can give an ethics of movable property, that movable property can comply with an ethical attitude or behavior or , even more, that an object has its own morality, something impossible beyond the field of mythology and literature.

Thus, as in Shrödinger’s theoretical experiment, the cat is inside the box with a bowl of poison, and until the lid is uncovered, the cat is alive and dead at the same time. If, in this case, the “black box” of the algorithmic process is uncovered and discover if it is an object and a subject, the reality of its nature (and not only legal) emerges: it is an object. Not an object-author. Not an object-subject. An object-object that is regulated and protected as a work in accordance with copyright, a right held, precisely, by its programmer, who is indeed a subject [24].

References

  1. Chávez Valdivia A (2020) Rediseñando la titularidad de las obras: Inteligencia artificial y robótica. Revista chilena de Derecho y Tecnología 9(2): 153-185.
  2. Bendito Cañizares MT (2021) Estadio intermedio de reflexión para una futura regulación de la ética en el espacio digital europeo: los principios de transparencia y accountability. Revista Aranzadi de Derecho y Nuevas Tencologías 5: 1-57.
  3. Corvalán JG (2017) La primera inteligencia artificial predictiva al servicio de la Justicia: Prometea. LA LEY 186: 2-5.
  4. Yanisky-Ravid S (2017) Generating Rembrandt: Artificial Intelligence, Copyright, and Accountability in the 3ª Era: The Human-like Authors Are Already Here: A New Model. Mich St L Rev 659(4): 659-726.
  5. Díaz-Limón JA (2016) Daddy’s Car: la inteligencia artificial como herramienta facilitadora de derechos de autor. La Propiedad Inmaterial 22: 83-100.
  6. Azuaje Pirela M, Finol González D (2020) Transparencia algorítmica y la Propiedad Intelectual y Industrial: tensiones y soluciones. Revista Propiedad Inmaterial 30: 111-146.
  7. Marcos A (2015) La mejora (de la vida) humana: una reflexión antropológica y ética. Madrid, Cátedra de Bioética, UPCO, Madrid, pp: 4.
  8. Grandhi NM (2020) ¿Puede la Inteligencia Artificial ser un sujeto de Derecho?. Simposio Argentino de Informática y Derecho (Jaiio), pp: 54-61.
  9. Amado Osorio NE (2020) El derecho de autor en la inteligencia artificial de machine learning. La propiedad inmaterial 30: 327-353.
  10. Santos González MJ (2017) Regulación legal de la robótica y la inteligencia artifical: retos del futuro. Revista jurídica de la Universidad de León, pp: 25-50.
  11. Lee E (2012) Digital originality. Vanderbilt J of Ent and Tech Law 14(4): 919-957.
  12. López de Mántaras R (2017) La inteligencia artificial y las artes. Hacia una creatividad computacional. In: El próximo paso: la vida exponencial. Madrid: BBVA, pp: 99-123.
  13. Vásquez Leal L (2020) ¿Autoría algorítmica? Consideraciones sobre la autoría de las obras generadas por inteligencia artificial. Revista Iberoamericana de la Propiedad Intelectual 13: 207-233.
  14. Valente LA (2019) La persona electrónica. Anales De La Facultad De Ciencias Juridicas Y Sociales De La Universidad Nacional De La Plat 49(16): 1-30.
  15. Rodríguez Tapia JM (2009) Título II: Sujeto, objeto y contenido. Capítulo I: sujetos. En: Comentarios a la Ley de Propiedad Intelectual. Navarra: Thomson Reuters- Civitas, pp: 97-119.
  16. Bercovitz Rodríguez-Cano R (1992) Comentario a la sentencia del Tribunal Supremo, de 26 de octubre de 1992. Cuaderno Cívitas de Jurisprudencia Civil 30: 959- 970.
  17. Hohfeld WN (1913) Conceptos jurídicos fundamentales. México: Fontamara.
  18. Sauca JM (2000) Lección undécima: Los conceptos jurídicos fundamentales (II). In: Curso de Teoría del Derecho. Madrid: MARCIAL PONS, pp: 284-286.
  19. Copeland J (1993) Cap. 9 “are we computers?”. En: Artificial Intelligence: Philosophical Introduction. New Jersey: Wiley-Blackwell, pp: 180-204.
  20. Ríos Ruiz WR (2001) Los sistemas de inteligencia artificial y la propiedad intelectual de las obras creadas, producidas o generadas mediante ordenador. La Propiedad inmaterial 3: 5-13.
  21. Fernández Carballo-Calero P (2021) La Propiedad Intelectual de las obras creadas por Inteligencia Artificial. Navarra: Editorial Aranzadi.
  22. Antequera Parilli R (2007) Estudios de derecho de autor y derecho afines. Madrid: Editorial Reus.
  23. Saiz García C (2019) Las obras creadas por sistemas de inteligencia artificial y su protección por el derecho de autor. Indret: Revista para el análisis del Derecho 1: 1-45.
  24. Peinado Gracia JI (2018) Lección 11. La propiedad intelectual: derechos de autor y derechos afines. In: Lecciones de Derecho Mercantil. 1st (Vol.), Navarra: Thomson Reuters-Civitas, pp: 211-236.

Cite this article

BibTeX
APA
RIS
@article{villalobos2022,
  title   = {Artificial Intelligence in Art: An Amoral Subject of Law},
  author  = {Villalobos Portales J},
  journal = {Philosophy International Journal},
  year    = {2022},
  volume  = {5},
  number  = {4},
  doi     = {10.23880/phij-16000275}
}
Villalobos Portales J (2022). Artificial Intelligence in Art: An Amoral Subject of Law. Philosophy International Journal, 5(4). https://doi.org/10.23880/phij-16000275
TY  - JOUR
TI  - Artificial Intelligence in Art: An Amoral Subject of Law
AU  - Villalobos Portales J
JO  - Philosophy International Journal
PY  - 2022
VL  - 5
IS  - 4
DO  - 10.23880/phij-16000275
ER  -