On Music and Perfection: Adorno’s Dialectics, the notion of the Sublime in Slavoj Žižek and in the Cinematography of Werner Herzog

Philosophy International Journal (PhIJ)
ISSN: 2641-9130

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On Music and Perfection: Adorno’s Dialectics, the notion of the Sublime in Slavoj Žižek and in the Cinematography of Werner Herzog

Authors: Allaerts W*

DOI: 10.23880/phij-16000243

Volume 5, Issue 2

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